Aoyama Gakuin University, Pysanky Workshop

Held in the Printmaking Room of the Junior College North Building, Aoyama Gakuin University, the event brought together participants of different generations in an atmosphere of thoughtful cultural exchange. The workshop was led by Tetyana Solotska, representing Ukraine House Japan (UHJ), with the valued support of Ukrainian craft artist Ms. Keiko Ikema.

We extend our sincere appreciation to Professor Cho and the Gender Studies Center for their warm collaboration and careful organization of this meaningful event. We are also grateful to Professor Yuki Shimada, who opened the workshop with reflections on the meaning of Easter, drawing on the Gospel of Luke. Her words, followed by a prayer for life and peace, created a reflective foundation that resonated deeply with the spirit of Pysanka.

A total of 27 participants — 11 adults, 8 elementary school students, and accompanying family members — took part in the workshop. The presence of both children and adults enriched the experience, allowing for a shared exploration of culture that bridged generations.

Participants were introduced not only to the technique of Pysanka, but also to its historical and symbolic background. The tradition of decorating eggs in Ukraine predates Christianity, with roots extending to pre-Christian times when eggs were created and exchanged as protective symbols. After the introduction of Christianity in the 10th century, the custom became closely associated with Easter. In the 20th century, Ukrainians who emigrated to the United States and Canada before and after World War II played a significant role in preserving and spreading this tradition internationally.

The practical session focused on the traditional wax-resist technique. Using melted beeswax applied carefully to the eggshell, participants created patterns that were later revealed through layered dyeing.  For this workshop, a classical design dividing the egg into 48 triangular sections was selected. Ms. Ikema offered insight into the various symbolic interpretations connected to this traditional structure, enriching the participants’ understanding of the design.

At the beginning, participants approached the process with careful concentration, becoming familiar with the tools and the delicate movements required. Gradually, confidence grew, and individual creativity began to emerge. Once the wax patterns were completed and the dyeing process finished, the final stage — gently melting away the wax — revealed the vibrant colors beneath. This transformative moment brought visible excitement and quiet wonder throughout the room.

The workshop concluded with a commemorative group photograph, capturing a shared sense of accomplishment and cultural dialogue.

We are also pleased to note that Professor Cho’s detailed report, including photographs and a summary of participant feedback, has been published on the Gender Studies Center website. We sincerely appreciate this thoughtful documentation of the event.

https://www.aoyama.ac.jp/center105/2026/news_0227

Ukraine House Japan remains committed to fostering mutual understanding through educational initiatives and artistic exchange. We look forward to continued collaboration and future opportunities to share Ukrainian cultural heritage with the academic and wider community in Japan.